So I woke up this morning thinking about this venue of artblogging, and I came upon the article in the NY Times about Shepard Fairey confessing to a copyright violation
So I realize that this post is quite a bit late, given that it is now October, and John Currin Works on Paper, A Fifteen Year Survey of Women was
Monolithic. Topographic. Singular. The show is very impressive. This is definitely a blue chip show, at a blue chip gallery, from a blue chip artist. The reason that I bring this up
I definitely can be categorized as a fan of Kara Walker’s work. Okay, we know it’s derivative, that is, it’s been done. When I first saw the work years back,
On my rounds a few weeks back of the galleries, I stopped into Printed Matter to check out if there was anything titillating for me to browse through. One of
Wonderfully simple and elegant, the installation called “Shadowplay” by Hans Peter Feldmann was one of the highlights of the opening shows for the Fall 2009 season in New York City.
Here’s a show that clearly deserves one of the first reviews on my new blog. I have no idea who the curator is, so I’m going to tell it how
Finally an interesting installation in New York City. Phew! I was thinking that sculpture was dead. Where are the Ann Hamilton’s and Robert Gober’s of this decade? Black Acid
I went to the movie Herb and Dorothy the other day with an old art school friend and my partner and finally got to find out who are the notorious
Basil Wolverton at Gladstone Gallery (June 20 – August 14, 2009) is definitely a show worth seeing, for those of us who don’t have time to try and figure out
The much awaited High Line park in New York’s Meat Packing District and Chelsea turns out to be worth the wait. It is not completed yet, but has all the
Day One: This is the first day of artblogNY. Today the domain was registered, the blog was installed, and the design of the site begins. Comments and feedback, corrections and
